The evolution of the concept of representation of the human figure in world painting
DOI:
https://doi.org/10.31812/educdim.6306Keywords:
historic period, stile, form, maintenanceAbstract
In the article are examined the problem of summarite methods of man-figure forms in the different historic periods of graphic arts with the aim to use time-accumulated езуклепее for developing the students creative abilities.
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References
Берн Хогарт. Динсшическая анатомах для художником - М.: Астрель, 2004, с. 216.
Георг Кяебер. Полный курс рисунка обнаженной натуры. - М.: Внешсигма. 2000, с. 120.
Дмитриева Н.А. Краткая история искусств. - М: Искусство, 1985, с. 319.
Полевой В.М. Малая история искусств. - М.: Искусство, 1991, с. 303.
Рославец Е.Н. Разрушение образа. - К.: Мистецтво, 1984, с. 200.
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Published
14-12-2006
How to Cite
Shcherbakov, O. (2006). The evolution of the concept of representation of the human figure in world painting. Pedagogy of Higher and Secondary Education, 16(2), 356–362. https://doi.org/10.31812/educdim.6306
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Copyright (c) 2006 O.Yu. Shcherbakov
This work is licensed under a Creative Commons Attribution 4.0 International License.
