Literary practice though the social realism

Authors

  • Тетяна Шарова Bohdan Khmelnytskyi Melitopol State Pedagogical University , , Мелітопольський державний педагогічний університет імені Богдана Хмельницького

DOI:

https://doi.org/10.31812/world_lit.v11i0.2034

Keywords:

discourse, social realism, method, creativity, author-creator

Abstract

The article presents an analysis of the process of subordination of artistic thinking to ideological dictates, «inscribing» the literary practice of the subject of aesthetic creativity in the format of a single Soviet method. It is proved that at the stage of political structuring of literary and artistic life, strengthening of regulation and unification of creativity, writers in the format of socialist realism are forced to use new tactics and methods, to find ways of adapting.

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Author Biography

  • Тетяна Шарова, Bohdan Khmelnytskyi Melitopol State Pedagogical University, , Мелітопольський державний педагогічний університет імені Богдана Хмельницького

    Candidate of Philological Sciences, Associate Professor, Head of the Department of the Ukrainian and Foreign Literature

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Published

2018-09-19

Issue

Vol. 11 (2018)

Section

Poetics of world literatures

How to Cite

Literary practice though the social realism. (2018). Literatures of the World: Poetics, Mentality and Spirituality, 11, 90-100. https://doi.org/10.31812/world_lit.v11i0.2034