Implementation of the “word” concept of in the poetry of Zinaida Gippius

Authors

  • Христина Анатоліївна Корнєєва Candidate of Philological Sciences, Senior Lecturer, Department of Language and General Humanitarian Training of Foreigners Odessa I.I. Mechnikov National University , кандидат филолологических наук, стариший преподаватель кафедры языковой и общегуманитарной подготовки иностранцев Одесского национального университета имени И. И. Мечникова , кандидат фiлолологiчних наук, стариший викладач кафедри мовної та загально гуманітарної підготовки iноземецiв Одеського нацiонального унiверситету iменi I. I. Мечникова

DOI:

https://doi.org/10.31812/world_lit.v9i0.1080

Keywords:

word, implementation, silence, transcendence, Truth, God

Abstract

This article described an example of an unusual implementation of the concept «word» in poetry of the one’s of the most original authors of Russian Symbolism – Zinaida Gippius. A specific feature of her poems is a mystical view of the world. It’s main problem is comprehension the transcendent Truth and God. Thereby a major question we can find in Z. Gippius’ works is the possibility of verbal transmission of mystical experiences. The concept «word» in Z. Gippius’ poems was implemented doubly. On the one hand, the word is a symbol of God, on the other hand, it often becomes absolutely powerless in transmission of transcendental experience. This ambivalence of the concept implementation makes Z. Gippius’ poetry dialectical.

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Published

2017-06-30

Issue

Section

Mentality of world literature

How to Cite

Implementation of the “word” concept of in the poetry of Zinaida Gippius. (2017). Literatures of the World: Poetics, Mentality and Spirituality, 9, 122-130. https://doi.org/10.31812/world_lit.v9i0.1080