The artist in the "inverted" world: the peculiarities of the transitional artistic thinking in the drama “My soul with a scar on my knee” by Yaroslav Vereshchak

Authors

  • Леся Іванівна Сидоренко Post-Graduate Student of the Department of Ukrainian Literature and Comparative Linguistics, Borys Grinchenko Kyiv University , аспирант кафедры украинской литературы и компаративистики Киевского университета имени Бориса Гринченко , Київський університет імені Бориса Грінченка

DOI:

https://doi.org/10.31812/world_lit.v9i0.1094

Keywords:

autobiographism, intention, metadiscourse, typological, characteristics, autoreflection of the literature

Abstract

The article is devoted to the typological characteristics of the metadram. Investigated here are the forming factors of metadiscourse and the reception of theater's theater's drams, that is «double scene», creation of the image of the artist and his modern sight. The article summarizes the dram of Yaroslav Vereshchak, «My Soul with Scar on the Knee» the functions of art, its ability to reflect complex historical reality and crisis modernity.

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Published

2017-06-30

Issue

Vol. 9 (2017)

Section

Spirituality of world literature

How to Cite

The artist in the "inverted" world: the peculiarities of the transitional artistic thinking in the drama “My soul with a scar on my knee” by Yaroslav Vereshchak. (2017). Literatures of the World: Poetics, Mentality and Spirituality, 9, 220-230. https://doi.org/10.31812/world_lit.v9i0.1094