A realibus ad realiora, або від реального до найреальнійшого (До характеристики кінообраза Андрія Тарковського)

Olena Sobolevska

doi:10.31812/apd.v0i11.1746

A realibus ad realiora, or from a real to the most real (on the characterization of the cinematic image by Andrey Tarkovski)

Authors

Olena Sobolevska Odessa I.I.Mechnikov National University

DOI:

https://doi.org/10.31812/apd.v0i11.1746

Keywords:

Reality, cinematographic art, symbol, artistic image, symbolic image of reality

Abstract

The author considers the most characteristic features of the works by film director Andrey Tarkovski and explains the specific nature of the cinematic picture created by him. The main conclusion is that Tarkovski duplicates the reality by turning our attention to the full-fledged although devaluated real life. As the result our mind is liberated from a daily routine and form us as a spectator.

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...

Abstract views: 150 / PDF downloads: 123

Author Biography

Olena Sobolevska, Odessa I.I.Mechnikov National University

Department of Culturology

Downloads

PDF (Українська)

Published

2017-07-01

How to Cite

Sobolevska, O. (2017). A realibus ad realiora, or from a real to the most real (on the characterization of the cinematic image by Andrey Tarkovski). Actual Problems of Mind, (11), 147–159. https://doi.org/10.31812/apd.v0i11.1746