A realibus ad realiora, or from a real to the most real (on the characterization of the cinematic image by Andrey Tarkovski)

Authors

  • Olena Sobolevska Odessa I.I.Mechnikov National University , Одеський національний університет ім. І.І. Мечнікова

DOI:

https://doi.org/10.31812/apd.v0i11.1746

Keywords:

Reality, cinematographic art, symbol, artistic image, symbolic image of reality

Abstract

The author considers the most characteristic features of the works by film director Andrey Tarkovski and explains the specific nature of the cinematic picture created by him. The main conclusion is that Tarkovski duplicates the reality by turning our attention to the full-fledged although devaluated real life. As the result our mind is liberated from a daily routine and form us as a spectator.

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Author Biography

  • Olena Sobolevska, Odessa I.I.Mechnikov National University, Одеський національний університет ім. І.І. Мечнікова
    Department of Culturology

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Published

01.07.2017

Issue

No. 11 (2010)

Section

STUDIES IN ANTHROPOLOGY AND ART

License

Copyright (c) 2010 Olena Sobolevska

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

A realibus ad realiora, or from a real to the most real (on the characterization of the cinematic image by Andrey Tarkovski). (2017). Actual Problems of Mind, 11, 147-159. https://doi.org/10.31812/apd.v0i11.1746

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