The sources of the omission of sensual-corporal basis in music: esthetic conceptions of G.W.F. Hegel and A. Schopenhauer
DOI:
https://doi.org/10.31812/apd.v0i11.1749Keywords:
Music, musical bodiness, musical sensuality, musical reality, art, musical anthropologyAbstract
The author analyses philosophical views of Schopenhauer and Hegel to the music and elucidates the causes of their rejection of the corporal aspects of the musical phenomenality. Esthetical conceptions of these thinkers are declared to be the most reflective from the point of view of the mind-body problem in the philosophical discourse about music.Downloads
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Copyright (c) 2010 Olga Poltavtseva

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