The catastrophe of the artistic space in the story "The Day when the World collapsed" by R. Seisenbaiev

Authors

  • Тетяна Анатоліївна Дзюба Chernihiv K. D. Ushinskyi Regional Institute of Postgraduate Pedagogical Education

DOI:

https://doi.org/10.31812/world_lit.v8i0.1063

Keywords:

catastrophism, catastrophism discourse, , technocratic model of catastrophism, documentation, eschatology, existentialism, typological coincidences

Abstract

On the base of the story by Rollan Seysenbayev «The Day, when the World has collapsed» the author analyzes catastrophism as the ideological and stylistic literary phenomenon. The author systematically and comprehensively analyzes the trends and means of artistic embodiment of catastrophism, primarily its technocratic modification. The article reveals the catastrophism as the catalyst of semantic and structural transformation, existential modes and author intentions. The author emphasizes the typological affinity of artistic images of R. Seysenbayev’s story «The Day, when the World has collapsed» and the works of Chernobyl theme.

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Author Biography

Тетяна Анатоліївна Дзюба, Chernihiv K. D. Ushinskyi Regional Institute of Postgraduate Pedagogical Education

Doctor of Social Communication Sciences, Professor of the Department of Philological Courses and Methods of Teaching

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Published

2017-01-30

How to Cite

Дзюба, Т. А. (2017). The catastrophe of the artistic space in the story "The Day when the World collapsed" by R. Seisenbaiev. Literatures of the World: Poetics, Mentality and Spirituality, 8, 23–33. https://doi.org/10.31812/world_lit.v8i0.1063

Issue

Vol. 8 (2017)

Section

Poetics of world literatures
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